DER FLUYTEN LUSTHOF 3 by Jacob van Eyck - first complete edition with full commentary
Code: BP706
Publisher | AMADEUS VERLAG |
Genre: | classical & sacret |
Arrangement: | melody |
Cast: | solo |
Format: | book - paperback |
DER FLUYTEN LUST-HOF (The Flute's Garden of Delights) remains largest work in European history written for a wind instrument, besides being the only opus of this size not composed in the usual…
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Parameters
Product code: | BP706 |
Composer: | Eyck, Jacob Van |
No. of songs: | 58 |
Pages: | 72 |
Language: |
English
German |
Size: | 23 x 30 cm |
ISMN: | 9790015070600 |
Weight: | 336 g |
Songlist (58)
- Praeludium
- Phantasia
- Psalm 1
- Silvester inde Morgenstont
- Almande Verryt
- Psalm 9
- La Bergere
- France air
- Princes roaeyle
- Psalm 33
- Philis en son bel Atente
- Ho ho op myn brack en winden, &c.
- Postillon
- Na Dien u Godlyckheyt
- Onder de Linde groene
- Bockxvoetje
- Psalm 119
- En fin l'Amour
- Lossy
- Boffons
- Psalm 133
- De lustelyckte Mey
- Excusemoy
- Verdwaelde Koningin
- Malle Symen
- Blydschap van myn vliedt
- Den Nachtegael
- 1. Ballet, of Vluchste Nimphje van de Jaght
- Janneman en Alemoer
- 2. Ballet, of Ay Harder hoort
- Een Kindeken is ons geboorgen
- 2. Courant, of Harte diefje waerom soo stil
- Courante 1
- 3. Ballet
- Wel op, wel op, ich gae ter jaght
- 4. Ballet
- Lanterlu
- Psalm 15
- Laura
- Puer nobis nascitur
- Psalm 116
- Questa dolce sirena
- Ballet de Grevelinge
- Almande prime roses
- Lavolette
- De eerste licke-pot
- De tweede licke-pot
- Ick plach wel in den tydt voor dezen
- Frans Air
- Orainge
- Sarabande
- Beginnende door reden ons gegeven
- Stemme Nova
- Bocxvoetje
- Fantasia
- Psalm 101
- De France Courant
- Psalm 134
Product description
DER FLUYTEN LUST-HOF (The Flute's Garden of Delights) remains largest work in European history written for a wind instrument, besides being the only opus of this size not composed in the usual sense, but "dictated" by he author as he improvised. We have before us an enormous collection of the songs and dances in fashion at the time, a kind of "Top-Hit-Parade" from the mid-17th century, given its special place by van Eyck"s virtuosity in improvising.
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