Dances from the 17th and 18th centuries for various music instruments (trios, quartets, quintets)
Kod ABM02152
Bestsellery
| Wydawnictwo: | Ars Bohemica Musica |
| styl muzyczny: |
muzyka ludowa, spirituals, folk & country
muzyka klasyczna i liturgiczna |
| aranżacja : | melodia |
| obsada: |
trio
kwartet kwintet |
| Stopie: |
średnio zaawansowany
bardziej zaawansowany |
| format: | książka |
| artysta: | Musica Bohemica |
A collection of 28 dances from the 17th and 18th centuries from the repertoire of the Musica Bohemica ensemble, in arrangement for various instruments. Most dances are written for three or four…
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Dane
| Kod produktu: | ABM02152 |
| kompozytor: | więcej kompozytorów |
| aranżer: | Krček, Jaroslav |
| ilość utworów: | 28 |
| ilość stron: | 32 |
| język : | czeski |
| rozmiar: | 21 x 30 cm |
Spis utworów (28)
- Smrtí tanec (Matěj Václav Šteyer)
- Dvě barokní melodie I (Matěj Václav Šteyer)
- Dvě barokní melodie II (Matěj Václav Šteyer)
- Evermond Jiří Košetický - U našeho Bárty
- Alia phantasia (Kristian Hirschmetzel)
- Alia non illepide (Kristian Hirschmetzel)
- Alia I (Kristian Hirschmetzel)
- Alia II (Kristian Hirschmetzel)
- Saltus civilis(Kristian Hirschmetzel)
- Bonrepovský smrtí tanec (František Antonín Špork)
- Jdi má milá, jdi do lesa (Ondřej Hůlka)
- Roste stromek dubový (Ondřej Hůlka)
- Kdyby vojna byla (Ondřej Hůlka)
- Podívej se na mě (Ondřej Hůlka)
- Na tej naší návsi (Ondřej Hůlka)
- Zasazuj holečku (Ondřej Hůlka)
- Valachica
- Navařila buchet studenou vodou
- Šla panenka smutně
- V Prostějově na jarmarce
- Tanečná (František Šušil)
- Tanec č. 21 (Jan Ritter z Rittersberka)
- Tanec č. 24 + 55 (Jan Ritter z Rittersberka)
- Tanec č. 9 + 10 (Jan Ritter z Rittersberka)
- Tanec č. 15 (Jan Ritter z Rittersberka)
- Tanec č. 35 + 46 (Jan Ritter z Rittersberka)
- Tanec č. 23 + 54 (Jan Ritter z Rittersberka)
- Kotek (Karel Jaromír Erben)
Opis produktu
A collection of 28 dances from the 17th and 18th centuries from the repertoire of the Musica Bohemica ensemble, in arrangement for various instruments. Most dances are written for three or four instruments, so that the first two or three lines are written for C instruments playing in the treble clef (recorders, flutes, violins, oboes, guitars and other C instruments ...) and the last voice is written for C instruments playing in the bass clef (violoncello, double bass, bassoon and other instruments). Some dances also have a rhythm line for percussion instruments (tambourine, drum and others).
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